hip hop

Dox: Slingshot Hip Hop

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<!--[if gte mso 9]&gt; &lt;![endif]--><!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> The quality of documentaries is dependent upon a number of different elements. Of course the subject chosen to document needs to be at least somewhat interesting. But, the person working the camera and editing the entire thing together needs to have some sort of empathy – not necessarily sympathy – for the subject matter or the people that constitute the characters. Read more

Print x Comic Books

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]-->The delay between the release of a single track from Comic Books: Unlimited – “Superfriends” – and the rest of the proper disc was roughly three months. That’s a pretty long time in terms of internet releases. But while considering that, this release also calls into question what distinctions there actually are between mix tapes and albums released via the web. To me…there isn’t a difference. Read more

The Syndrome: Kid Koala

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Whether good or bad, there isn’t a huge market for deejay albums. A brief resurgence of the medium sprung up during the mid to late ‘90s, mostly centered around various Los Angeles associated crews, but that didn’t last all too long. Of course, the folks who garnered a bit of press from that time have gone on to produce works for a great many top tier hip hop acts. But a resultant effect of that brief balloon of attention was that more outlets were created for deejays to release sample based music. And even with the troublesome copyright problem omnipresent, some pretty listenable discs have gone to press. Read more

Return of the Rhymefest

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Prior to the feud between Charles Hamilton and Rhymefest, I had a middling opinion of the elder rapper. After hearing Blue Collar a few years ago I was of the impression that he could have created a much better record based upon the talent he displayed. And subsequent news, leaks, etcetera may have raised my perception of him a bit, but the constant bickering between RF and Hamilton just made me think that they were both full of nonsense. Read more

U-N-I: A Love Supreme

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> U-N-I is certainly an integral part of what’s goin’ on in the So Cal rap scene at this point. They don’t have a record deal and have, themselves, seemingly, created any hype that surrounds them. And after a few mix tapes over the last year or so – Before there was Love and Chicken and Waffles – the duo has secured enough of a rep as to have legions awaiting its newest release A Love Supreme. Read more

KMD ≠ DOOM

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> However many folks before 1988 had rap hits, it wasn’t too many. So because of this, despite how they’re remembered today, 3rd Bass brought rap to the suburbs – or at least made it a bit more palatable for parents. Having “Gasface” in rotation on MTV made the group one of the most vital rappers in the game at the time. And on that track was a young gentleman named Zev Love X (Daniel Dumile). Alongside the interracial rap group, the man that would go on to become DOOM, took a verse that resulted in but a modicum of fame. Read more

Oddisee in DC

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> The background of any performer, but specifically in the realm of hip hop, is tantamount to understanding the individual’s work. And considering the fact that Oddisee is nothing but in touch with his familial roots in Sudan, looking at the situation there can lend some important insight into how this Maryland/DC based emcee and producer perceives the world. The tribal and territorial problems that have arisen – and don’t seem to be nearing a resolution – lends Oddisee the ability to examine situations through the guise of a nation’s internal strife. Read more

The FreeHoudini

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> I really can’t decide if Dose One is my favorite rapper or just a dude that figured out his hook to stand out from the countless and never ending legions of internet rappers. Regardless of the outcome of that very serious inner-debate, Dose has returned from his Subtle detour for another Themselves collab with supa-producer Jel (you can find my gushing prose relating to that producer HERE, HERE or HERE). Read more

Meetchaself: Lord Quaz and DJ Troubl'

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> No other label really traffics in the same brand of hip hop, soul and funk that Stones Throw is able to touch upon. Included amongst the label’s catalog, in addition to the J Dilla disc, Madvillain and others, are a few choice re-releases like the reissued Stark Reality disc Now, which featured a young John Ambercrombie. Read more

Bidness: John Robinson

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> John Robinson is many things, but a business man is most certainly one of them. The emcee has affiliations with countless record labels and various high profile figures in the rap game. But when he’s not immersed in the actual process of making music, he’s working to help others realize their own musical aspirations. Read more

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