2009

Alex B is a Nice Guy

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<!--[if gte mso 9]&gt; &lt;![endif]--><!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]-->The internets are a weird animal. Firstly, because without ‘em I wouldn’t have any idea who Alex B was or is. Secondly, he wouldn’t have been asked to make a mix for some web site on the other side of the world. Needless to say, though, we all benefit from this deal.

As a member of the Pnuma Trio, AB works to get a group of actual musicians to create (or re-create) the sounds of some electronic technicians working out dance grooves. And regardless of my opinion of that, as a producer and deejay, AB works in different territory.

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Breaks: United Soul

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<!--[if gte mso 9]&gt; &lt;![endif]--><!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Of every soul and funk outfit from the ‘60s or ‘70s, the George Clinton axis of groups probably had as much to do with the development of sampling outta anyone apart from one Mr. James Brown. But the difference between the two – Clinton’s appreciation of psychedelic sounds and such – is the reason that he comes in a close second to Brown. It doesn’t matter really, but it’s interesting to think about. Read more

Print x Comic Books

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]-->The delay between the release of a single track from Comic Books: Unlimited – “Superfriends” – and the rest of the proper disc was roughly three months. That’s a pretty long time in terms of internet releases. But while considering that, this release also calls into question what distinctions there actually are between mix tapes and albums released via the web. To me…there isn’t a difference. Read more

Breaks: Kay-Dee (Vol. 02)

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> The funny thing about dug up funky related stunners from the late ‘60s and ‘70s is that not only do the selected b-sides have a pretty high rate of being cheesy, but even if they’re not, the rest of the full length album from these groups is liable to be just this side of awful. Also during this era of funk, soul and RnB, disco was wheedling its way into the music, making still uncovered gems all the more difficult to locate. Crate digging – digital or otherwise – is still more than admirable and more over fun, but the compilations that are put together often times fail to deliver more than average results. Read more

Omid x The Good Life

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Busdriver, apparently, at some point said something to the effect of, underground hip hop happened ten years ago – but he said that five years ago. So he meant the mid-‘90s. Maybe. The Gravediggas, Black Moon and other New York acts already had discs out for a few years by that point – and to me that really should be the demarcation point. 1991-92? Maybe.

Anyway, what Busdriver was specifically referring to – since he’s an Los Angeles dude – is the fact that the Goodlife open mic night began around ’93 or so. And without that outlet, the LA rap scene – or the west coast underground as a whole – just wouldn’t be the same. Read more

Return of the Rhymefest

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Prior to the feud between Charles Hamilton and Rhymefest, I had a middling opinion of the elder rapper. After hearing Blue Collar a few years ago I was of the impression that he could have created a much better record based upon the talent he displayed. And subsequent news, leaks, etcetera may have raised my perception of him a bit, but the constant bickering between RF and Hamilton just made me think that they were both full of nonsense. Read more

Mr. Lif Gets Prescient

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> As Mr. Lif continues his quest to get every aspect of American politics off of his chest, he’s seen fit to release a mix of greatest hits as well as a few tracks from his upcoming disc I Heard It Today. Slated to be released at the end of April, it seems that the time this album is ready to hit the streets could serve to give it an even more important position within the political discourse that hip hop as undertaken. I Heard It Today might not end up being a new age Public Enemy disc, but not too many things are. Read more

The Dead Zone: Charles Hamilton

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Without the excessive discussion about the interactions of Charles Hamilton and Rhymefest, I probably wouldn’t have known of the younger rapper – nor cared. And while the internet dispute between the two seems to surpassed the ability of RF to capitalize on the free publicity, Hamilton has seen fit to release a few mix tapes – in addition to the slew of downloads he offered last year. Read more

Guru: The 8.0 Lost And Found EP

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Guru (Gifted Universal Rhymes Unlimited) is gonna be remembered in the future for a great number of things. In my mind, though, he’s the dude that coined the term ‘positivity.’ And while that doesn’t mean a whole lot seeing as I haven’t heard folks use the word too much, in the emcees determination to create something good out of hip hop, Guru’s worked with various groups in vastly different settings. Read more

U-N-I: A Love Supreme

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<!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> U-N-I is certainly an integral part of what’s goin’ on in the So Cal rap scene at this point. They don’t have a record deal and have, themselves, seemingly, created any hype that surrounds them. And after a few mix tapes over the last year or so – Before there was Love and Chicken and Waffles – the duo has secured enough of a rep as to have legions awaiting its newest release A Love Supreme. Read more

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