August 2009

  • Dr. Dre x Re-Issued Chronic

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    Endless paragraphs have been dedicated to the work that’s resulted from the career of Andre Romelle Young aka Dr. Dre. And while each laudatory citation is unquestionably warranted, at this late date everyone’s just waiting for a full length from the west coast stalwart. It doesn’t seem too much to ask despite his continued and dense production duties for Em and everyone else. But releasing just two proper long players since the end of ’92 doesn’t make for a busy rhyme writing schedule. Whatever the delay – and we’re probably not talking about personal stuff at this point, or are we? – the folks that recently acquired the Death Row catalog have seen fit to reach back and polish off some classics that are now getting close to twenty years old. Read more

  • Eyedea & Abilities: What Happened?

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    When I was twenty, I drove roughly an hour to see Eyedea & Abilities perform in Columbus alongside the Living Legends crew. At this late date, there are only two significant occurrences from said evening that I readily recall. Firstly, Living Legends were as bland live as their albums are/were coming out of one’s stereo. Second, Eyedea battled some poor schlub from the crowd and wrecked him. It was something that should have been expected – and no, there’s no reason for that guy to have gotten on stage, but that’s how you learn. It was a decent show despite the two hour transportation to and from the venue. Read more

  • Breaks: Baby Huey

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    Dying young ensures a myth cropping up around a performer’s body of work. It’s something that’s expected at this point, but no less meaningful. Of course, dying in a haze of drugs might add a bit of mystique to it all. But Baby Huey (bka James Ramey) didn’t just struggle with substances, he apparently had a glandular problem that resulted in his swelling to over three hundred pounds. On the sunny side, though, fat soul and funk singers are able to get over. So, there’s that. Hailing from Richmond, Indiana and eventually moving to Chicago, Baby Huey wound up being in the city at the right time for his amalgam of funk, soul and psych to get picked up by none other than Curtis Mayfield in a deal with that performer’s Curtom Records. Read more

  • Breaks: Black Ice

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    Mining the depths of funk usually ends up landing the voyager at some unknown destination where all musics come together in a sort of commercial orgy and a pinnacle of cheese. Not always, but if you dig deep, there might be a reason as to why some of the stuff is down there. As diggers reach further – and prices get to be startlingly big – it seems that the majority of discs possess only momentary glimpses into funk greatness. Not that the Meters or whoever else didn’t have a few throwaway tracks tossed in there, but the consistency of that group – early on at least – is a paradigm unmatched by most that come after. Read more

  • Freestyle Fellowship: Inner City Food Stuffs

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    Inner City Griots wasn’t the Freestyle Fellowship’s first album – it came out roughly two years after the formation of the group and its release of To Whom It May Concern. And while it’s usually pretty easy to figure that the earliest efforts from a group represent some of its best work, this second album is generally considered stronger than that first stray shot of west coast rap. Of course, it’s all opinion, but beyond that, Freestyle Fellowship made clear that there was life on the far coast beyond Raider’s hats and Funkadelic samples (even if that was more than listenable, if not indispensible). Read more

  • Rakim's Return

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    While everyone’s awaiting the release of The Seventh Seal, I harkened back to hearing Rakim for the first time. I guess I came late to all of this, but a year after The 18th Letter was released, I remember seeing it sitting around my friend’s house and eventually tossed it on. At the time Lyricist Lounge and work of that vintage comprised most of my listening, but hearing one of the most well respected emcees in recorded history go in on his ‘come back album’ was truly something untoward. It was the basis of everything that I’d been interested in – within hip hop, at least. Read more

  • The Pharcyde x Jay Dee

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    In thinking about Jay Dee’s proper place amongst the real rap cognoscenti, it’s worth the time to take a look at the Pharcyde’s second disc – Labcabincalifornia. It seems as if the part that Jay Dee played in the conception and execution of that album has been played up a bit in the wake of his demise. Out of the seventeen tracks that make up the disc, Jay Dee had a hand in only seven with the other tracks being produced by some combination of group members and a single contribution by Diamond D of all people. Regardless of who put Labcabincalifornia together, it does represent a significant departure in tone and topic for the west coast group. Read more

  • Big Daddy Kane: Just Rhymin'

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    Despite having derived his name from some oblique incident on a ski trip – seriously? – Big Daddy Kane has been one of the most consistently revered figures in the rap world for about twenty years now. And considering the impact that this one figure has had on the game, I think that it’s more than appropriate to take a minute to look back at the man’s first album - Long Live the Kane – in order to understand where the game’s gotten to today. It kinda seems like it’s all the same, but despite that or even because of it, the first Big Daddy Kane record seems to encompass a great deal of what rap is today. Read more

  • Breaks: (The Obligatory) James Brown

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    If you look through the discography of Mr. James Brown, it would appear that he did nothing else during the ‘60s other than lead recording sessions. Everyone’s thankful for that fact and the resultant music has assuredly either enriched some personal moments you’ve had or just functioned as some funky, good time music. And while the catalog of Brown has been plundered hundreds of times over for samples and the like, some of his earliest work – most notably with his combo, the Flames – hasn’t been ignored, but also hasn’t been given the same sort of attention that his latter work has received. Read more