May 2009

  • Jo Well Stars as a Lion

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    An AntidoteAn AntidoteRace plays as much a part in hip hop as any other genre. It's not to say that that's right or wrong - everyone has some preconceived notions about other people as a result of interactions or experiences. And who knows, if you cross the street one night 'casue of all of that, it might save your life. Or not. Either way, it seems as if Jo Well hasn't been afforded the same sort of hype or press as other newish emcees of a darker complection. Of course the new West Coast rap cognoscenti, led by Blu, is rife with talent that not too many folks have. But a different shade of brown has and always will be an integral part of hip hop culture. It's a universal medium at this point - and it should be all inclusive. Asher Roth, though, might on occasion, think about keeping his mouth shut. Read more

  • Dream Warriors: Confucian is the Style I Send

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    My SinkMy SinkThe interconnectedness of the UK and its good son Canada can't be contested. I mean the Queen's on Canuck money still. And perhaps because of this it's less difficult for acts from either one of those nations to traffic back and forth between the charts successfully. England's wayward, bastard child, the US doesn't afford artists from either nation that sort of consideration. It's an odd tag team that doesn't always make sense - why is Pete Doherty so famous on that tiny island and virtually unknown in the States? That won't be surmised herein, but the lack of success after the Dream Warriors' first disc - And Now The Legacy Begins - won't be figured either. Read more

  • G-Stoned: A Trip Hop Tale

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    StonedStonedThe careers of both Peter Kruder and Richard Dorfmeister have enough caveats tossed in to keep even the most passive music fan enthralled by the wide ranging endeavors that these Austrians have gotten themselves into.

    Beginning in the early '90s, the duo deejayed clubs and the like in their native country mixing together an ethereal composite of dub, hip hop, electronic elements and some stray bossa nova grooves. Soon enough, this mixture ensured that the burgeoning European and British electronic music movements embraced these wayward producers amidst not just their work as a duo, but in their individual endeavors. Read more

  • Smif-n-Wesson: Hellucination

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    A PatoisA PatoisThe relatively tight knit Duck Down crew has its roots dating back to the early '90s. With Black Moon's first disc, Enta Da Stage, an early East Coast rap pillar, the group, in addition to unleashing a massive deluge of dirty beats and sound raps, introduced the world to Smif-n-Wesson. On a few tracks both Tek and Steele enlivened an already densely adorned collection of verses touching on everything from violence to boasting and back again. The younger duo worked well with the production represented on that disc and when entering the studio to record their own disc, da Beatminerz were tapped to handle production duties. Read more

  • Breaks: Sly Stone

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    Thee FunkThee FunkLiving briefly in Texas, Sly Stone (nee Sylvester Stewart) and his family moved to the Bay Area during the '50s. And while at the point in the countries evolution the Beats were waning, to say the least, and the seeds of hippiedom hadn't yet been sowed, the area seemed as good as any other to raise a family in an atmosphere of diversity.

    During high school, at the age of 16, Stone recorded and released a local hit called "Long Time Gone." Of course, this would only be an initial glimpse into what he would eventually achieve. But it probably served as some sort of early incentive to continue making music. Read more

  • Breaks: Roberta Flack

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    FirstsFirstsApart from knowing "Killing Me Softly" backwards and forwards, my first exposure to Roberta Flack was her album where she shared credits with Donny Hathaway, whom she had met while attending Howard University. That album with its obscure black cover sported enough funky keyboard to remain in my mind. And even though, I've seen that album in every dollar bin in the free world, I've never picked it up. And I still haven't.

    But last weekend, First Take found its way onto my record player. The billing of Les McCann as the presenter of the disc was probably the main reason I picked it up, but in addition to his name, Ron Carter functions as the anchor here lending his jazzy bass chops to this 1969 debut. Read more

  • The Drought Continues: Drake

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    DroughtsDroughtsIf Drake is familiar to you, most likely it's as a result of his small screen role as some wheel chaired character on Degrassi. And regardless of the fact that Kevin Smith apparently directed some of those episodes, any relationship with that enterprise shouldn't necessarily make a career. But I don't really know about show biz.

    In addition to acting, Drake (nee Aubrey Drake Graham) was not only born in Canada, but apparently was raised in a pretty swank part of Toronto. So when adding all of this together, it wouldn't necessarily seem as if it would end in some sort of underground rap accolade. But it has. Read more

  • Drake: Live at Love

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    Shouts to Please Don't Stare (http://www.pleasedontstare.com).

  • Method Man & Redman are Backout for Blackout 2

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    22Part of what's made the Wu Tang legacy such an enormous shadow that drapes itself over all of hip hop is that fact that the production - save for 8 Diagrams - is pretty timeless. Any of the crew's albums could have come from the same time and place as 36 Chambers. And while that might just mean that Wu sounds like dusty funk beats from a '90's dungeon, it'd still be hard to order those discs sequentially based upon the music.

    But of course, the Wu isn't everyone's flavor. Even if it's not though, the crew's Method Man not only has one of the most recognizable flows in rap, it's probably one of the best. When coupled with Redman's similar style and timbre, the duo and its 1999 Blackout! should be recognized not necessarily as a water shed moment, but as an indispensible piece in not just the Wu canon, but in '90s rap. Read more

  • Just Ice - "Cold Get Dumb"

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    JUST classic.