March 2009

  • U-N-I: A Love Supreme

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> U-N-I is certainly an integral part of what’s goin’ on in the So Cal rap scene at this point. They don’t have a record deal and have, themselves, seemingly, created any hype that surrounds them. And after a few mix tapes over the last year or so – Before there was Love and Chicken and Waffles – the duo has secured enough of a rep as to have legions awaiting its newest release A Love Supreme. Read more

  • Big Tone: The Art of Ink

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> After hearing the track that Blu guested on a few months ago, I eagerly awaited the Big Tone disc The Art Of Ink. The cover of the album sports Tone with a tattoo gun in hand, seemingly penning some words in a notebook. Obviously, the use of the word ‘ink’ links the two concepts, but from the looks of the various promo pictures of Big Tone, it doesn’t look like he’s all too covered in tattoos. It doesn’t really matter, but it’s kinda funny. Read more

  • Curly Tops and Nautica Jackets

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]-->I can listen to almost any rapper, no matter how awful as long as the production is anything near good. And I suppose that’s my biggest problem with a great deal of hip hop now – even Mos Def will go over some half assed beats – in my humble opinion at least. And really, if you’re that talented, you should probably make sure the tracks are all above boards. Perhaps, though, this just points to me being out of touch with whatever passes for good hip hop today. Blu – who I can’t keep from writing about – is poised to get famous in about five minutes and pretty much everything he does is golden. Read more

  • Clevo's Treazon

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> There’s a loosely knit crew that revolves around illRoots’ Mike Waxx and his production and or mixing skills. Over the last few months, Waxx has somehow found time to work out production on a number of mix tapes. And oddly enough, each one has maintained a pretty high level of professionalism and consistency. Now at this point, he’s created an expectation for his soul doused products. But his work on these mix tapes is only part of the final outcome. Read more

  • KMD ≠ DOOM

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> However many folks before 1988 had rap hits, it wasn’t too many. So because of this, despite how they’re remembered today, 3rd Bass brought rap to the suburbs – or at least made it a bit more palatable for parents. Having “Gasface” in rotation on MTV made the group one of the most vital rappers in the game at the time. And on that track was a young gentleman named Zev Love X (Daniel Dumile). Alongside the interracial rap group, the man that would go on to become DOOM, took a verse that resulted in but a modicum of fame. Read more

  • Breaks: Cedar Walton

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> By 1968 Cedar Walton had been support artists ranging from Lucky Thompson to Blue Mitchell for almost two full decades. And after all that time, Walton was given the opportunity to lead a date. By this time though, Coltrane had come and gone, Miles was about to change the game again and there was ample political upheaval in the States to disrupt just about anything. The music that comes off of Spectrum doesn’t seem to reflect any of this, though. Read more

  • Breaks: Big John Patton's Big Organ

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> For some reason a few albums from band leading organist Big John Patton weren’t releases right after being recorded. And regardless of what acclaim he’s received in the world of collectors since those ‘60s dates, it won’t really serve to reinvigorate any broad interest in this player. His virtuosity wasn’t every the reason to put a side by Patton on. It was the groove that Patton attained with the various ensembles he led. Read more

  • Asher Roth x Go Karts

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> As a disclaimer, I’m a white suburbanite who now lives in Oakland. My favorite rappers aren’t necessarily white dudes, but I think that Dose One and Sole are pretty talented. A few Anticon producers are choice as well – but Premier is still better than anyone to produce a beat. And really, all of that doesn’t have anything to do with race. Just talent. Read more

  • Breaks: The Whitefield Brothers and Harold Ousley

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> Herein, you will find (digital) proof as to the well being of new funky grooves. But nonetheless, they aren’t necessarily subservient to those old, soulful combos of the seventies. Read more

  • Oddisee in DC

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    <!--[if gte mso 9]&gt; Normal 0 false false false EN-US X-NONE X-NONE &lt;![endif]--><!--[if gte mso 9]&gt; &lt;![endif]--> The background of any performer, but specifically in the realm of hip hop, is tantamount to understanding the individual’s work. And considering the fact that Oddisee is nothing but in touch with his familial roots in Sudan, looking at the situation there can lend some important insight into how this Maryland/DC based emcee and producer perceives the world. The tribal and territorial problems that have arisen – and don’t seem to be nearing a resolution – lends Oddisee the ability to examine situations through the guise of a nation’s internal strife. Read more